Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BOSCH, Hieronymus
St Jerome in Prayer (detail) ghj

ID: 05259

BOSCH, Hieronymus St Jerome in Prayer (detail) ghj
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BOSCH, Hieronymus St Jerome in Prayer (detail) ghj


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BOSCH, Hieronymus

Netherlandish Northern Renaissance Painter, ca.1450-1516 Bosch produced several triptychs. Among his most famous is The Garden of Earthly Delights. This painting depicts paradise with Adam and Eve and many wondrous animals on the left panel, the earthly delights with numerous nude figures and tremendous fruit and birds on the middle panel, and hell with depictions of fantastic punishments of the various types of sinners on the right panel. When the exterior panels are closed the viewer can see, painted in grisaille, God creating the Earth. These paintings have a rough surface from the application of paint; this contrasts with the traditional Flemish style of paintings, where the smooth surface attempts to hide the fact that the painting is man-made. Bosch never dated his paintings and may have signed only some of them (other signatures are certainly not his). Fewer than 25 paintings remain today that can be attributed to him. Philip II of Spain acquired many of Bosch's paintings after the painter's death; as a result, the Prado Museum in Madrid now owns several of his works, including The Garden of Earthly Delights.   Related Paintings of BOSCH, Hieronymus :. | Details of The Conjurer | The Haywain | Saint John the Evangelist on Patmos | The garden of the desires, trip sign, | Christ Mocked gyjhk |
Related Artists:
Wilhelm Gentz
, 1822 - 1890
Pietro Lorenzetti
Italian Byzantine Style Painter, ca.1280-1348
Maillol, Aristide
French Art Nouveau/Nabi Sculptor, 1861-1944 French sculptor, painter, designer and illustrator. He began his career as a painter and tapestry designer, but after c. 1900 devoted himself to three-dimensional work, becoming one of the most important sculptors of the 20th century. He concentrated almost exclusively on the nude female figure in the round, consciously wishing to strip form of all literary associations and architectural context. Although inspired by the Classical tradition of Greek and Roman sculpture






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